givenchy peter saville | peter saville wiki givenchy peter saville Ever since his first work for the fledgeling Factory Records in the late 1970s, Peter Saville has been a pivotal figure in graphic design and style culture. In fashion and art projects as well as in music, his work combines an unerring elegance with a remarkable ability to identify images that epitomise the moment.
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peter saville wiki
Throughout the next decade, he redesigned the Givenchy logo, collaborated with Raf Simons .
Ever since his first work for the fledgeling Factory Records in the late 1970s, Peter Saville has .Peter Saville is immersed in contemporary culture at the point where fashion, music, art and . Peter Saville is sitting at his studio desk, wielding a cigarette and talking about the importance of creative freedom — and how his career was .
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Throughout the next decade, he redesigned the Givenchy logo, collaborated with Raf Simons and Paco Rabanne, and notably was commissioned to redesign the Calvin Klein logo in 2016, Burberry’s new logo under Riccardo Tisci in 2018 and Lacoste’s logo for its 80th anniversary.
Ever since his first work for the fledgeling Factory Records in the late 1970s, Peter Saville has been a pivotal figure in graphic design and style culture. In fashion and art projects as well as in music, his work combines an unerring elegance with a remarkable ability to identify images that epitomise the moment.Peter Saville is immersed in contemporary culture at the point where fashion, music, art and graphic design converge. Born in Manchester, England in 1955, he studied graphic design at Manchester Polytechnic from 1975 – 1978. Peter Saville is sitting at his studio desk, wielding a cigarette and talking about the importance of creative freedom — and how his career was built on it. I t's early afternoon when Peter Saville - legend of graphic design - answers the door of his London studio, dressed in a hotel bathrobe and matching towel. "Oh," he says, commendably unfazed,.
Saville has worked for all sorts of client – fashion designer Yohji Yamamoto, handbag specialist Mandarina Duck, Givenchy, the Fruitmarket Gallery – but it is the album covers that make him loved, and it is these which dominate The Peter Saville Show, at the Design Museum until 14 September.
Peter Saville is immersed in contemporary culture at the point where fashion, music, art and graphic design converge. Born in Manchester, England in 1955, he studied graphic design at Manchester Polytechnic from 1975 – 1978. Chris Hall meets legendary designer Peter Saville “Peter Saville drives a skoda”. The appalling idea scared him off of renting one when it was offered in place of the VW Polo that he’d ordered. Known first as the designer of the Factory label, he was a pioneer in his way to conceive sleeves as works of art, which can easily be verified in his work for Joy Division, New Order, but also other Factory bands (OMD.) and later .
Best-known for his seminal record covers for Joy Division and New Order, Saville has also art-directed catalogues and advertisements for fashion brands such as Yohji Yamamoto and Dior, and created.Throughout the next decade, he redesigned the Givenchy logo, collaborated with Raf Simons and Paco Rabanne, and notably was commissioned to redesign the Calvin Klein logo in 2016, Burberry’s new logo under Riccardo Tisci in 2018 and Lacoste’s logo for its 80th anniversary.Ever since his first work for the fledgeling Factory Records in the late 1970s, Peter Saville has been a pivotal figure in graphic design and style culture. In fashion and art projects as well as in music, his work combines an unerring elegance with a remarkable ability to identify images that epitomise the moment.
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Peter Saville is immersed in contemporary culture at the point where fashion, music, art and graphic design converge. Born in Manchester, England in 1955, he studied graphic design at Manchester Polytechnic from 1975 – 1978.
Peter Saville is sitting at his studio desk, wielding a cigarette and talking about the importance of creative freedom — and how his career was built on it.
I t's early afternoon when Peter Saville - legend of graphic design - answers the door of his London studio, dressed in a hotel bathrobe and matching towel. "Oh," he says, commendably unfazed,.
Saville has worked for all sorts of client – fashion designer Yohji Yamamoto, handbag specialist Mandarina Duck, Givenchy, the Fruitmarket Gallery – but it is the album covers that make him loved, and it is these which dominate The Peter Saville Show, at the Design Museum until 14 September.Peter Saville is immersed in contemporary culture at the point where fashion, music, art and graphic design converge. Born in Manchester, England in 1955, he studied graphic design at Manchester Polytechnic from 1975 – 1978. Chris Hall meets legendary designer Peter Saville “Peter Saville drives a skoda”. The appalling idea scared him off of renting one when it was offered in place of the VW Polo that he’d ordered. Known first as the designer of the Factory label, he was a pioneer in his way to conceive sleeves as works of art, which can easily be verified in his work for Joy Division, New Order, but also other Factory bands (OMD.) and later .
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